Call for Submissions: A Black Orpheus Companion 

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Download as PDF In 2025, OlongoAfrica embarked on a historic journey to recover, digitize, and restore the complete run of Black Orpheus (1957–1993). For the first time in decades, the journal that defined African modernism—publishing the early works of Leon Damas, Wole Soyinka, Ama Ata Aidoo, Christopher Okigbo, J.P. Clark, Chinua Achebe and many others […]

Call for Poetry Anthology Contribution

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AFCON, Literature, and Distant Kilns

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A review of “The Forgotten Era: Nigeria Before British Rule”

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Does the Body Ever Get Familiar with Grief?

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In Dream Count, Adichie Denies Us Catharsis

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The Panenka’s Paradox

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Call for Applications: Translation Editor (Lingua Project)

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Pivotal Sophomores in Nigerian Poetry

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Nigerian Literature is Dead (Again)

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On Lineage and Voice

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child of my mother

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Outside Borders

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Mbari: Interrogating the Place of Space in African Art

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Agema and The Writer as a Repository of Memory

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Same Tune, Different Lyrics: A Review of “When I Say Africa”

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Examining Social Dysfunction and Internet Fraud in Ikenna Okeh’s YAHOO! YAHOO!

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A Continent of Riddles : A Review of Adéṣọ̀kàn’s “South Side”

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From the Prism of Black Orpheus: Mapping the Growth and Development of Discourse on African Literature

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Black Orpheus Dispatch: On Re-Using History

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War Without End in Nigerian Literature | A review of The Road to the Country

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NLNG Finalists for Fiction, 2025

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A Psychosocial Reading of Saddiq Dzukogi’s Your Crib, My Qibla

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The New York Black and African Literature Festival aims to be a bridge | Conversation with Efe Paul Azino

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Àṣàkẹ́’s Vibe as Gimmick

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Longlist for the 2025 Nigeria Prize for Literature Announced

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