Ìjẹ́wọ́ Ìnàkí Shìnágawà Kan

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Láti Ọwọ́ Haruki Murakami (New Yorker (© June 2020) Tí Kọ́lá Túbọ̀sún túmọ̀ Mo pàdé alàgbà ìnàkí yìí nílé ìtura Japaní kan nínú ilé-ìwẹ̀ onísun-gbígbóná kan ní Ìjọba Ìbílẹ̀ Gunmà, ní bíi ọdún márùún sẹ́yìn. Ilé ìtura náà ti gbó, tàbí ká ní ó ti ń d’àlàpà. Kò fẹ́ẹ̀ lè dá dúró, mo kàn ní […]

Mama Calls Me Tennis Ball Because I Always Bounce Back

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 Uchechukwu Peter Umezurike’s Double Wahala

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Questions for My Ailing Country

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The Spectacle and Politics of Nudity in Blood Sisters

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A Danquah’s Account of Uxoricide

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Born to Die

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The Life of a Poet

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A Nigerian Poet’s Dangerous Amorous Episodes

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Aníkúlápò – A Short Story

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Decaying Memories at the Oyo Museum

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Theorising the ‘Loud Nigerian’: A Review of Nigerians… in Theory

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Where Are the 287 Poets Contesting the 2022 NLNG Prize for Literature?

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Not A Laafin Matter: Lamidi Ọláyíwọlá Àtàndá Adéyẹmí (1938-2022)

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The 2022 Nigeria Prize for Literature (Poetry) Kicks Off

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In Challenge of a Single Story

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Where Is Our Government?

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Damned Insect

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Towards a Future of African Magazines

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Vagabonds! – A Refusal to be Defined

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[#BookMood] Halfway into Becoming

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A Precious but Uncertain Gift

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OlongoAfrica to Republish “An African Abroad”

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[Drama] Chief’s Hall of Justice

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Africans trying to exit Ukraine battle racism

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