Arts/Culture
“My life has always been based on very deep convictions” || Wole Soyinka in Conversation
In February 2024, we sat with Nobel Laureate Wọlé Ṣóyínká as part of the production of Ebrohimie Road: A Museum of Memory — a documentary biopic that examines a location at the University of Ìbàdàn where he lived briefly when he was appointed as the first Nigerian Head of the School of Drama. It was […]
How Susanne Wenger Turned the World Into a Classroom for a Young Artist
Susanne Wenger may have lived in Òṣogbo, but Ìbàdàn always found a way to tug her back. The distance between the two cities wasn’t exactly a stroll, though it wasn’t terribly far either. She would often hop in her car, cruise through the roads connecting both towns, stop over in Ìbàdàn for a few hours […]
Sóyínká Off Broadway: Swamps and Syntheses
The off-Broadway premiere of Wole Soyinka’s 1958 play, The Swamp Dwellers, offers at least two reasons to be excited, and hopeful. The first comes from a point that is almost over-made in the American media, with theatre critics describing the event as some sort of lost-and-found moment. The New York Times reported the playwright himself […]
Black Orpheus Dispatch: On Re-counting History
On re-counting history 68-sh, 50-sh years later I It is easy to miss the moment when an intellectual tradition starts to wither: there is no bang, no funeral, no obituary. Nothing grand. It just disappears, and one day, you look around and realise that everything is gone, via a slow, suffocating erosion. Black Orpheus was […]
Presenting the Digitized Black Orpheus Journals
It gives us some pleasure to present the digitized copies of Black Orpheus journal to the public for the first time. Over the last six months, we’ve worked with Archivi.ng, a Nigerian nonprofit digitizing newspapers and other culture materials, to scan all the copies of Black Orpheus journals we obtained as part of the Black […]
The Early Oeuvre of Romanus Nnagbo Egudu
By Tádé Ìpàdéọlá Poets who are also scholars of poetry occupy a peculiar niche in the ineffable enterprise of memorable music and words. They are not rare birds in the West (or the Orient), but here in Africa, the sighting of one such personage is something to cherish. If granted the further pleasure of not […]
OlongoAfrica’s Black Orpheus Fellows Selected
We were thrilled by the response to our Black Orpheus Fellowship announcement late last year. We got 59 applications, all of them fascinating and some quite ambitious. It took a while to read and assess all of them, but thanks to our five judges (editors, curators, academics) who read through the entries, rated them, and […]
Black Orpheus Dispatch: A Conversation | by Shalom Kasim
On Re-Presenting History 68-sh, 50-sh years later I. Last year, November, I was in Lagos for the onboarding process for my research fellowship at Archivi.ng. This was coming after all the ‘Hello, we’d love to hear more about your project,’ ‘Tell us about yourself/your history of knowledge work production,’ and ‘You will hear from us’ […]
Toward The Lossless Translation | Review by Tádé Ìpàdéọlá
“The work itself is a study in how the ideology of the novel works, I think.” —Akin Adeṣọkan, 2013. Chief Isaac Delano was one of the most important Yorùbá writers of the 20th century. The ‘Chief’ in his title and the spelling of his surname “Delano” may carry American echoes but they are emphatically African. […]
“Ebrohimie Road” Screens at Randle Centre
On December 29, 2024, OlongoAfrica hosted a highly anticipated holiday screening of Ebrohimie Road: A Museum of Memory at the J.Randle Centre in Onikan, Lagos. The film, which premiered in July 2024 as part of events to mark Wole Soyinka’s 90th birthday has had a global tour, screening in London, Mexico, and parts of the […]