Arts/Culture

The opening scene of Shanty Town, the mini-series currently running on Netflix, was rather long, graphic and brutal. Loud explosions, the rat-at-tat of guns, raining sand, frightened people running helter-skelter, heavy objects connecting with unprotected heads, more violent people with more guns that went on and on… but, no body parts flying through the air, […]

On a sunless afternoon in early 2000s suburban Magodo, a routinely squalid existence in one of the city’s slums is interrupted by gunfire and rapid explosions. A woman and her two daughters are almost robbed and violated in the ensuing chaos but for the timely intervention of a neighbour, whose heroics come at the cost […]

Stirring pain, it would seem, marks one of the textual resonances in Nigerian poetry. This pain, which takes on grief grafted onto memory, for most Nigerian poets, is as personal as it is public. In his debut collection, How Morning Remembers the Night (HMRTN), Ifesinachi Nwadike captures pain-grief and poetics of verdant reminder. The treatment […]

We have published a lot of incredible stories this year spanning different tastes and genres in African literature. As we approach the year’s end, we have compiled a list of our top stories for 2022 strictly for your leisure reading this holiday. At the top of our list is this piece by Mọlárá Wood which […]

Or How to Render Metaphysics in Film There is now the quartet, in film, of Ernst Ingmar Bergman (The Seventh Seal), Michael Cimino (The Deer Hunter), Cary Joji Fukunaga (James Bond, No Time to Die) and Biyi Bándélé, (Ẹlẹ́ṣin Ọba), who in my opinion, have brought something special to the understanding of the human condition, […]

To a generation of Nigerians, the character Àjàlá might as well be an urban legend. Fictionalised in film, memorialised in music and romanticised in folklore, Ajala has become a common noun, a term in popular Nigerian usage for something part Don Quixote and part Don Juan. Over the last few decades, Olabisi Ajala’s legend has […]

This year, Ngugi Wa Thiong’o and Ngugi Wa Mirii’s co-authored play, I Will Marry When I Want, returned to Kenyan theaters after an unintended 32-year hiatus. First produced in 1977, the powerful postcolonial play was banned six weeks after staging for the first time by Daniel Moi, then Jomo Kenyatta’s vice president, followed by his […]

This September, in obeisance to the sharp drop in temperature that announced the end of summer in Toronto, I curled up on the lone couch in my apartment at York village and re-read Ṣóyínká’s Death and the King’s Horseman. Earlier in the month, in a packed cinema hall at the Toronto International Film Festival, surrounded […]

If it wasn’t obvious enough that the leading poetic voices on the continent now belong to a new generation of writers bred in the jungles of the internet and raised in the angst of 21st-century dilemmas and preoccupations, the new NLNG prize shortlist has made it clearer. The three writers currently on the shortlist — […]

In this interview, Carl Terver, an essayist, poet and the founding editor of Afapinen, speaks with the 2022 NLNG Shortlistee, S’ueddie Vershima Agema, on his book, Memory and the Call of Waters. CARL TERVER It must be great to have made the NLNG Prize shortlist. Congratulations. Will you kindly tell us about your thoughts at […]