Nigeria

In 1962, the Heinemann African Writers Series began publishing inexpensive paperback editions of African literature that would define a generation of readers across the continent. Readers in Lagos, Ibadan, Nairobi, and Accra could read writers like Chinua Achebe in editions designed specifically for Africans. These books circulated widely in schools, teacher training colleges, and public […]

A few years ago, I was in conversation with Odoh Diego Okenyodo, a former literary journalist and poet who has since left the sphere of literary journalism and established himself as a development communication and media expert, about the dying culture of literary anthologies in Nigerian literature. Our conversation was triggered by my recollection of […]

The digital media space in Nigeria is an unrelenting arena of attention-grabbing spectacle, as hardly does an issue surface before others pull you to them. Digital netizens understand this economy of attention well and try to maximize visibility through a range of tactics. The recent online exchange between Nigerian music stars Ayo Balogun (Wizkid) and […]

In Adedayo Agarau’s new collection The Years of Blood, boundaries blur and collapse. Life bleeds into death. Self merges with the other. Ritual and violence collide. This collision produces what Julia Kristeva calls the abject, that which exists at the border of our identity, neither fully self nor other, neither clean nor unclean. Adedayo Agarau […]

When Oris Aigbokhaevbolo declared Nigerian literature dead, he did not do so casually. He was not lamenting a temporary lull or the disappearance of a few magazines. He was naming what he saw as a fundamental failure of formation. There was, in his account, no stable literary life to grow into. Writing appeared intensely, briefly, […]

Novels often build toward closure, offering readers a resolution or tying loose ends, but in Dream Count, Adichie resists this expectation. She leaves you with crescendoed emotions, emphasising her central concern: the elusive nature of dreams as mediated through memory. This, alongside the novel’s interrogation of how privilege grants and strips women of agency, forms […]

Long after the last fire was put out in this old restaurant, the pot goes on smouldering. The band is in the area designated as the stage, tuning instruments. In a corner, a handful of young artists and intellectuals are arguing over some tedious philosophical point. Eau de Bohème, Édition Afrique. Liquor chases down smoke […]

The strange thing about Africa is how past, present and future come together in a kind of rough jazz – Ben Okri (A review of South Side, Akin Adesokan, Parresia Publishers, Lagos, 2025) Abel Dankor is an itinerant writer whose life reads like the typical life of every or most Africans; stateless and always in […]

From 252 entries down to 11 longlisted authors, The Nigeria Prize for Literature have pruned their list down to three finalists. This year’s panel of judges is chaired by Associate Professor Saeedat Bolajoko Aliyu of the Department of English, Kwara State University. Other members of the panel include Professor Stephen Mbanefo Ogene, Professor of Comparative […]

An honest witness does not lie, a false witness breathes lies. –Proverbs 14:5 “No more Big 3, there’s now a Big 4,” the Nigerian Afrobeats star Rema declared in his 2024 song “HEHEHE.” Rema’s statement, fans of Afrobeats are meant to believe, is declarative: the Nigerian music industry has had three main stars—Davido, Wizkid, and […]