Review

In Adedayo Agarau’s new collection The Years of Blood, boundaries blur and collapse. Life bleeds into death. Self merges with the other. Ritual and violence collide. This collision produces what Julia Kristeva calls the abject, that which exists at the border of our identity, neither fully self nor other, neither clean nor unclean. Adedayo Agarau […]

Among the genres, poetry is still king in the Nigerian literary space. It might not be hyperbolic to say a poetry collection or chapbook is published every other month. Last month, Facebook informed me of Bakandamiya: An Elegy, a new poetry volume by Sadiq Dzukogi. This month (December 2025) is the turn of Tares Uburumu’s […]

Novels often build toward closure, offering readers a resolution or tying loose ends, but in Dream Count, Adichie resists this expectation. She leaves you with crescendoed emotions, emphasising her central concern: the elusive nature of dreams as mediated through memory. This, alongside the novel’s interrogation of how privilege grants and strips women of agency, forms […]

Nigeria’s battered global reputation has been attributed to the nefarious activities of internet fraudsters and corruption perpetuated by unscrupulous political leaders who embezzle public funds and store them in offshore accounts abroad. These unfortunate social vices have led to the global victimization of innocent and hardworking Nigerians in legitimate businesses around the world. Nigeria suffers […]

 If his debut collection, Where the Baedeker Leads: A Poetic Journey, enacts place-centric imagination and diasporic consciousness, James Yeku’s latest work, A Phial of Passing Memories, articulates further “memoir-poetic” narratives in 60 poems coordinated in five sections that detail diverse encounters in moments and places. His poetry picks on well-ranged, everyday experiences: birth, parenting, death, […]

Foluso Agbaje’s remarkable debut, The Parlour Wife, is likely the first novel many will read that focuses on the impact of the Second World War on an African population, with African characters squarely at its centre, and by an African author. The main setting is Lagos, the coastal city that was at the heart of […]

One of the critical comments on humour I often return is Humour, Silence, and Civil Society in Nigeria of the foremost Nigerian critic, Ebenezer Obadare. Obadare showcases critically how the work of humor is central to the understanding of Nigerian society. He explores how humour by cartoonists, dramatists, and stand up figures power resistance through […]

In my last review of a Nollywood film—C.J. Fiery Obasi’s Mami Wata (2022)—I submitted that to criticise Nollywood, demanding range from our directors, is to build a reputation as a serial complainer. As a principle, I believe in edification than putdown criticism as the former helps us understand the underlying issues of craft better, more […]

Lydia’s statement close to the end of the book carries the weight of the novel: I’m here to tell you that happiness is possible, again, Lydia says, And I hope that you find happiness again. If anything is to be said about the strength of Olukorede Yishau’s third book, it may be the sure presence […]

On a sunless afternoon in early 2000s suburban Magodo, a routinely squalid existence in one of the city’s slums is interrupted by gunfire and rapid explosions. A woman and her two daughters are almost robbed and violated in the ensuing chaos but for the timely intervention of a neighbour, whose heroics come at the cost […]