Arts/Culture
Bearing Witness to Malignity
Hannah Giorgis is an emerging voice in African diaspora circles, but also in the wider international scene for her miscellanea of journalistic pieces. She writes mainly movie and book reviews, women and human rights advocative pieces that take up a broad array of issues such as race relations, women’s oppression, blacklives matters and many others. […]
A Danquah’s Account of Uxoricide
In one of the most chilling stories of the true-crime genre, John List’s 1971 gruesome murder of his family stands tall, and this is not the most disturbing aspect of the story. Much later after he was found and arrested – almost two decades later – the question on the lips of most people […]
The Life of a Poet
In 2011, Dami Ajayi successfully completed his first collection of poems, Clinical Blues, and it marked for him, the completion of an epiphany which began in 2007, when as a young medical student, a new vision of the world caught up with him. This new vision afforded him the clarity to see the world afresh […]
Uchechukwu Peter Umezurike’s Double Wahala
In Nigerian popular culture, ‘double wahala’ is a Pidgin English phrase that was made popular by ace Afrobeat musician and activist, Fela Anikulapo Kuti. To repeat it by adding ‘double trouble,’ the English variant emphasizes the severity of the troubles. Nigerian literature has repeatedly featured the disorder and troubles that characterized postcolonial Nigerian life. Double […]
A Nigerian Poet’s Dangerous Amorous Episodes
In the traditions that established earlier voices in modern Africa poetry, sociopolitical maladies have remained an arch theme. In the words of Omafune Onoge, what rocks African poetry most is the crisis of consciousness. And it is expected. Given the social political terrain of postcolonial Africa and the disillusionment that followed. Most African poets, ranging […]
The Spectacle and Politics of Nudity in Blood Sisters
Blood Sisters, the latest offering from EbonyLife Studios and NETFLIX’s first Nigerian Original Series, is, at its best, a performance of cinematography. I have this image in my head of the filmmakers as peacocks, preening in anticipation of audiences’ reaction; I imagine them thinking, “their jaws will drop!” This is not a bad thing, creating […]
Decaying Memories at the Oyo Museum
I was recently at the National Museum located in the palace of the Alaafin of Oyo and even though I spent a substantial part of my childhood in Oyo, it was my first time at the museum. Most people who grew up in Oyo do not know that there is a museum there. It could […]
Theorising the ‘Loud Nigerian’: A Review of Nigerians… in Theory
By merely looking at the cover of the book Nigerians… in Theory by Joe Abah and Yemi Adesanya, one might immediately place it within a certain tradition of Nigerian long-form commentary. For one, its sub-title ‘Our Quirks, Habits & Idiosyncrasies’. For another, its choice for cover art: cartoon characters illustrating the familiar scenario of […]
Where Are the 287 Poets Contesting the 2022 NLNG Prize for Literature?
Let us start with a confession — mine, at least: I don’t know where the poets are. Or I don’t read them because I hardly hear their names and haven’t seen their books, because no one is reviewing them in magazines or talking about them, not even at a gathering of writers drinking beer. Or […]
Not A Laafin Matter: Lamidi Ọláyíwọlá Àtàndá Adéyẹmí (1938-2022)
by Tade Ipadeola When news broke late on 22nd April 2022, that Ọba Ọláyíwọlá Adéyẹmí III, the Aláàfin of Ọ̀yọ́, had joined his ancestors at the ripe old age of 83, there was a sense in the entire Yorùbá speaking world that a truly regnant king had departed the realm. Ọba Adéyẹmí was born on […]