Film

In my last review of a Nollywood film—C.J. Fiery Obasi’s Mami Wata (2022)—I submitted that to criticise Nollywood, demanding range from our directors, is to build a reputation as a serial complainer. As a principle, I believe in edification than putdown criticism as the former helps us understand the underlying issues of craft better, more […]

The opening scene of Shanty Town, the mini-series currently running on Netflix, was rather long, graphic and brutal. Loud explosions, the rat-at-tat of guns, raining sand, frightened people running helter-skelter, heavy objects connecting with unprotected heads, more violent people with more guns that went on and on… but, no body parts flying through the air, […]

Blood Sisters, the latest offering from EbonyLife Studios and NETFLIX’s  first Nigerian Original Series, is, at its best, a performance of cinematography. I have this image in my head of the filmmakers as peacocks, preening in anticipation of audiences’ reaction; I imagine them thinking, “their jaws will drop!”  This is not a bad thing, creating […]

Nigeria’s movie industry, Nollywood can no longer be regarded as a nascent industry, even though theorists and film historians are now defining the current age as the age of ‘New Nollywood’ because of advances in storytelling and cinematography. Still, the industry finds it difficult to move away from weak high society stories and romantic comedies. […]