Kenneth Harrow

Kúnlé Afọláyan’s Trash Case in ‘Citation’

by

Nollywood is the trash’s last leaves, claims Kenneth Harrow  in the last chapter of his seminal book, Trash: African Cinema from Below. Among its audience and even in academic circles, most Nollywood films have been critiqued as trash-coated with dry dialogues, melodramatic moments, and poor cinematography. Many of these discussions about the poor vision in […]