Paul Liam

Agema and The Writer as a Repository of Memory

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E. E. Sule, the renowned writer, critic, and scholar, in his instructive keynote address titled “BM Dzukogi as an Archive: Literature, Activism and Mentorship,” delivered at the national literary colloquium in honour of BM Dzukogi’s 60th birthday celebration in Minna, in January 2025, postulated that the “Nigerian writer must necessarily be an activist. Given the […]

Examining Social Dysfunction and Internet Fraud in Ikenna Okeh’s YAHOO! YAHOO!

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Nigeria’s battered global reputation has been attributed to the nefarious activities of internet fraudsters and corruption perpetuated by unscrupulous political leaders who embezzle public funds and store them in offshore accounts abroad. These unfortunate social vices have led to the global victimization of innocent and hardworking Nigerians in legitimate businesses around the world. Nigeria suffers […]

A Psychosocial Reading of Saddiq Dzukogi’s Your Crib, My Qibla

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John Pepper Clark, the renowned Africa poet, playwright and scholar, in his acclaimed poem “The Casualties” offered a profound postulation on the complexity of war and victimhood when he remarked that “The casualties are not only those who are dead…” as a response to the divisive rhetoric and counter accusations that trailed the Nigerian civil […]

Finding Traditions of African Literature in Black Orpheus

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It’s not unusual, these days, to hear older writers eulogize the great critical tradition that heralded contemporary Nigerian writing, waxing nostalgic about a quality of literary criticism, which, in their estimation, has gone extinct. They chalk this regrettable state of affairs to the poor reading culture; and the understanding—or the lack thereof—of the dynamics of […]